Grade 6 Music Theory, Unit 4, Lesson 3 of 3
Brainlag Music

The three six-four chords

Music theory, Cadences and six-four chords, 15 minutes

Have Brainlag Music? Sign in

A second inversion needs a reason: cadential, passing or auxiliary, how to recognise each and how to write it.

Why a six-four needs a reason

Ic: the soprano is a 4th above the bass (two octaves up), and it wants to fall

A second inversion has a 4th above the bass, and the 4th sounds unstable over a bass note.

More on this

So a six-four chord appears only where its bass is explained by what is around it. There are three such places, and only three.

Learn the three six-fours by heart

  • Cadential: Ic over the dominant bass, just before V (the last lesson).
  • Passing: the bass moves by step through the six-four, with the same chord on either side.
  • Auxiliary: the bass stays still while the upper parts step up and back down.
  • In every one, double the bass note.

The rest of this lesson and its 4 practice questions are in Brainlag Music Theory.

Screen 1 of 5, free to read.

  • 4 exam-style questions, marked as you go, each with a worked solution
  • Anything you get wrong is saved to your flashcards