Virtual Studio

Place the mics, move the player, treat the room. Hear every choice.

How the room is modelled

Level falls with distance: twice as far is 6 dB quieter for the direct sound.
Each mic hears the source, then six copies bounced off the walls, floor and ceiling, each later and quieter, and each heard at its own angle by the mic's pattern.
The reverb tail's length comes from the room's volume and how much its surfaces absorb (Sabine's formula). Treatment absorbs more, mostly in the mids and highs.
Two mics on one source hear it at different times. Summed, some frequencies cancel: the comb filter in the Phase view.

Sound and credits

The guitar is synthesised in your browser with a plucked-string model (Karplus-Strong). No recording is used.
The room is modelled: distance, the six first reflections (four walls, floor and ceiling), a reverb tail whose time comes from the room's size and its surfaces, and each microphone's pattern, colour and proximity effect.
Mic types are generic models, not any maker's microphone. A real microphone's sound is on its own spec sheet.